THE NEURO

Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this b ook approaches twenty-first-century globalized cinema through the concept of the neuro-image. Pisters explains why this concept has emerged now, and she elaborates its threefold nature through research from three domainsDeleuzian (schizoanalytic) philosophy, digi tal networked screen culture, and neuroscientific research. These domains return in the book's tripartite structure. Part One, on th e brain as...[Read more]